Donisha Prendergast, Mrs. Rita Marley and Sharon Marley grace the cover of Planet Africa Magazine

Photography by: Ashlee Hutchinson

Donisha Prendergast, Mrs. Rita Marley and Sharon Marley graces the cover of Planet Africa Magazine - ON NEWS STANDS MONDAY FEB 27TH. We will have 100 copies only on hand at the AFRICAN AND CARIBBEAN CULTURAL HERITAGE DAY Feb 25th at the Royal Ontario Museum. Get it then and have Donisha add some further sparkle by autographing it for you! See you then in your red green and gold! Bless.

Donisha Prendergast spreads grandfather Bob Marley’s gospel in RasTa

By BRENDAN KELLY, THE GAZETTE October 19, 2011
Donisha Prendergast spreads grandfather Bob Marley's gospel in RasTa, a new documentary screening at Montreal's Festival du nouveau cinema.

Photograph by: Phil Carpenter, The Gazette

MONTREAL - Donisha Prendergast comes from a showbiz family – and it’s not just any old showbiz family. Her grandfather was the late, great reggae superstar Bob Marley, and she grew up steeped in the rich musical legacy of Jamaica’s most revered cultural icon. Her mother, Sharon Marley, toured the world as a member of Ziggy Marley and the Melody Makers, the band fronted by Sharon’s brother Ziggy and including their siblings Stephen and Cedella. So as a kid, Prendergast travelled the world with the Melody Makers and, over breakfast Wednesday at a café near her downtown Montreal hotel, she was saying it was a pretty cool way to spend your summer vacations. “I never went to summer school,” said Prendergast. “I went to Japan. Or I went to England on tour. I grew up on tour with my uncles ... backstage, dancing. If you look back at the old footage of Ziggy Marley and the Melody Makers, you’ll see the kids dancing on stage, and I’m one of those kids. I grew up in a celebrity family. I’ve met Michael Jackson. I’ve met Madonna. I’ve met these people. I’ve travelled all over the world. But being human is the most important thing, not being a celebrity. That’s the thing about Bob Marley: He never intended to be a celebrity. He was just a man (dealing with) social problems in Jamaica who found a way to sing about it and carried his message around the world.” Marley’s message and music are front and centre in the extraordinary documentary RasTa: A Soul’s Journey, which had its world premiere Tuesday at the Festival du nouveau cinéma and screens again at the fest Thursday. Toronto director Stuart Samuels follows Prendergast on a quest across the globe as she tries to better understand the roots of Rastafari, the movement that was such an inspiration to Bob Marley. She meets Rastafarians in Ethiopia, England, Israel, South Africa, Canada and Jamaica, as the film delves into the movement’s roots in pre-Second World War Ethiopia, its introduction to Jamaica, and how Marley became its best-known advocate when his Rasta-influenced tunes hit the airwaves in the early 1970s. The star of the film is Prendergast, and her wide-eyed eagerness to learn about the movement is infectious. “The aim of the film was to put Rasta and reggae and Donisha and Marley together in one film,” said Samuels. “As Donisha goes through her search, I’m learning too. What is this? Is it a religion? People don’t understand. People are amazed by the information (in the film).” Music fans have heard Marley singing about Rastafari, about the Rastaman Vibration, but most of us don’t know much beyond the lyrics to those old reggae hits by Marley, Toots and the Maytals and Burning Spear. Even Prendergast admits her knowledge was limited before they made the documentary. “Even as a Rasta woman, I grew up in the Marley family, but it’s still a search,” said Prendergast. “In the education system, there’s nothing about Rasta. When I started to do a little research, I realized I didn’t know anything. All I knew about Rasta was the same things that everybody else knows – reggae music, ganja and Ethiopia. I didn’t know the trials and tribulations that Rastas went through in the ’30s and ’40s. As a person, I had to learn more about who I am and who my grandfather was, outside of the music.” Making the movie with a member of Marley’s family helped open a lot of doors for Samuels and was especially important because many in the Rasta community feel they’ve been burned in the past by the media. Prendergast’s exuberant personality didn’t hurt, either. “It wasn’t just my name,” said Prendergast. “I love people and people have an openness with me.” The film has politicized Prendergast. After spending several years studying in the U.S., she has just moved back to Kingston and wants to do her bit to make living conditions just a bit better for folks in her homeland. “Justice things, truth-and-rights kind of things,” said Prendergast. “These are the things that Rastas are supposed to do. We are the rebels, but we are good rebels. Reggae music is rebel music.” RasTa: A Soul’s Journey screens Thursday at 9:45 p.m. at the Ex-Centris cinema, 3536 St. Laurent Blvd., as part of the Festival du nouveau cinéma. The festival continues until Sunday. For more Gazette coverage, visit montrealgazette.com/festivalcentral. twitter.com/brendanshowbiz Read more: http://www.montrealgazette.com/entertainment/movie-guide/Festival+nouveau+cinema+Donisha+Prendergast+spreads+grandfather+Marley/5575957/story.html#ixzz1bHhMaloW

RasTa MOVIE POSTER | Adam Jarvis, designer

By ADAM JARVIS When I was approached by Len Henry of Fashcam to work on a logo for a featured length documentary about RasTafari – I was very honoured. Although, I am not a Rasta myself, I was born in the Caribbean, and was brought up to respect people of all colours and creeds. Working closely with Len and Corwin Hall of Yaudie, we developed a logo that captured the spirit of the movement. This project presented a grand opportunity for me to educate myself on the religion. What I was not expecting, was to reach such artistic depths within myself. It pushed me to create something, then elevate it into a “work of art”. A large bulk on my creativity ends up here on Vectorvault. It is my lover letter to vector art and my favourite software Adobe Illustrator. But this project required me to activate the Photoshop side of my brain as well. With countless layers and textures, this poster finally came to fruition. “It” let me know when “it” was finished. As a Creative Director with over 16 years behind me, I can honestly say that this project was far more enjoyable than any “ad” I have ever done. I enjoyed the process of reading faces and revealing the story through images… THE JOURNEY OF A SOUL Donisha Prendergast, Grand Daughter of the legendary Rita and Bob Marley is on a quest. To discover the “Roots of RasTafari”. It inspired the film’s branding imagery. – What a great “client brief”. A GROWING MOVEMENT The poster image took on the shape of an organic tree. It was built using the faces of Rasta. The historical icons and everyday people who keep the religion alive around the world. Donisha travels introduced her to many faces – each with a story. THE ART The colours and shapes were all pulled together from various stock sources. Including Vectorvault’s own collection of RasTa themed vector art. Including a series of drips and splatters that I used to enhance the branches and dreadlocks. Combined with stunning production photos, and a little creativity – an image was born. ........... Be sure to pick-up your own copy, unsigned or better yet, signed by Donisha, at RasTa's FESTIVAL LOUNGE, 221 Yonge St. (Sept. 6-19)

NOW Magazine: Marley Vibe

By SAIRA PEESKER If Bob Marley were alive today, he probably wouldn’t be making music. That’s what his granddaughter says anyway. There’s just too much other work to do in the world, Donisha Prendergast tells an eager crowd packed closely around her in a grassy patch between the library and the outdoor pool at Alexandra Park on Friday night, August 5. Promising a dialogue on youth, spirituality and the much misunderstood Rastafari, the charismatic actor and activist addresses a mostly adult group and speaks of her grandfather as a Rasta first and foremost. If Marley were alive today, he’d be focused on doing positive work in the community, she says. “There’s lots of good singers.” In his day, she points out, the reggae king was spreading Rastafari through a newly popular form of music, but now the movement has reached all corners of the world. Prendergast, who was born after her grandfather’s death, is here promoting a soon-to-be-released film, RasTa: A Soul’s Journey, in which she visits Rastafarian communities in Toronto, Ethiopia, Israel and South Africa, as well as other cultures that share some of its practices, like the dreadlocked, pot-smoking Hindu mystics of India. Anyone looking to get a straight answer about the basics of the movement is out of luck at the Scadding Court event, an unstructured, two-hour Q&A. Audience questions jump from racial profiling by police to the cultural significance of the Queen of Sheba. Asked to explain the culture, Prendergast says, “That is your decision. You must know when the time comes, and you must know what it reveals. “Rastafari represents African-ness. There is no other movement in the world that shows Africa is the way forward right now and identifies an African king and an African queen. If you take Rastafari out of this world, then the colours, the dreadlocks, the music, Bob Marley, all of that is gone. You understand?” The idea of sacrifice and public service comes up again as she traces her own evolving understanding of what it means to be a Rasta. “It represents love, unity, peace, sacrifice, service and justice for all. And inspiration. And we are all divine beings. The only way I feel whole is if I do service,” says Prendergast, who helped start a recycling company in Jamaica, where such services are uncommon. “I grew up Rasta, but it wasn’t until I began this journey that I realized I wasn’t Rasta.” The film’s Toronto-based executive producer, Patricia Scarlett, says she first became aware of Rastafari’s reach while travelling the world for her job at TVOntario. “It has spread to cultures that are not in any way connected to Africa or Jamaica,” Scarlett tells NOW. “There’s something in the message as spread through reggae that people relate to. It’s really a reinterpretation of the Old Testament.” While it’s not clear how many Rastas there are in Toronto, Stats Can figures for 2001 put the number at 415. Beliefs vary among different Rastafarian communities, but many believe in the Bible and see Ethiopian Emperor Haile Selassie I as a reincarnation of Jesus Christ. Selassie (emperor until 1974) was highly regarded on the world stage for bringing Ethiopia into the UN and writing his country’s first constitution. Many are vegetarians and adhere to an Ital diet: food that comes from the earth, without preservatives or other chemicals. Some also avoid salt unless it comes from the ocean. But while ganja smoke may be one of the few things outsiders associate with Rastafari, Prendergast mentions it only once, while encouraging people to check out Jamaica’s inaugural Manifesto Festival in November, a collaboration with Toronto’s Manifesto crew. “There will be lots of concerts, lots of life, reggae music, greenery, everything nice,” she says. Link to article

InsideToronto.com: Learning about Rasta movement from filmmaker

Learning about Rasta movement from filmmaker. Donisha Prendergast, grandaughter of musician Bob Marley, speaks to young people at Oakdale Community Centre about her documentary, Rasta A Soul's Journey. Staff photo/NICK PERRY

Though her grandfather, reggae legend Bob Marley, died three years before she was born, Donisha Prendergast can feel his spirit with her wherever she goes. "I've felt his spirit, I hear his music all the time so I feel like I know him," said the 26-year-old, who dropped by Oakdale Community Centre at Jane Street and Grandravine Drive Wednesday, Aug. 3 to promote her soon to be released documentary Rasta: A Soul's Journey. "Making the documentary helped me become a little closer to his mission. He was a freedom fighter, not just a musician." The documentary, which was shot over four years in eight countries and will be released in the fall, explores the Rastafari movement and aims to dispel myths often associated with it. Prendergast, who spoke to some 60 local youths, said a Rasta is someone who does the work - not just "the braids, the marijuana, the red, green and gold (flag)." "We are about truth, rights and justice," she said. "The documentary is my journey as a young woman and Bob Marley's granddaughter, discovering the roots of Rastafari. It was an eye opening experience. I was watching myself evolve as a Rasta woman and not just Bob Marley's granddaughter being Rasta. It's not just a black movement. I don't want to picture a world without Rastafari. It's created so much balance in an otherwise unbalanced world." Before filming, Prendergast, who calls Jamaica and Miami home, said she thought the movement was all about reggae music, peace and love. "As I was travelling, I realized there is so much work to be done, truth and rights work," she said. "I think the biggest misconception is that people wear dreadlocks and do bad things and don't have work to do. I hope the documentary makes people realize it's OK to reevaluate your life and challenge the things you thought at certain points in your life." The Rastafari movement began in the Jamaican slums in the 1920s and 30s. Some Rastafarians see Rasta more as a way of life than a religion. The Rastafarian lifestyle usually includes ritual use of marijuana, avoidance of alcohol, the wearing of one's hair in dreadlocks and vegetarianism. The movement is named for Ras Tafari Makonnen, who was crowned Emperor Haile Selassie I of Ethiopia in 1930. "It's a great day," said Phil Edwards of the community recreation program at Oakdale Community Centre, who dug out his Bob Marley T-shirt especially for the occasion. "(Prendergast) can speak directly to the youth, the youth have heard Bob Marley's music and have been affected by the culture." By Fannie Sunshine - article